|
MARKETING PROTECTION:
A JUSTIFICATION FOR FUNDING
OF TOTAL ASSET PROTECTION PROGRAMMES?
Two new concepts could ensure the survival of
your organisation.
The first is Total Asset Protection. What is
Total Asset Protection and why should we fund it? Protecting
the enterprise has previously been a piecemeal activity. Disaster
Recovery Planning ensures the recovery of IT systems and telecommunications
capability. Business Continuity planning is designed to ensure
the continued viability and operation of an organisation in
the event of a disaster resulting in the major loss of product
or denial of access to mission-critical facilities. Crisis
Management Planning goes one stage further, and covers contingencies
like product recall, kidnap and hostage or branch hold-up
- it. includes issues like adverse publicity. Other related
issues include Health and Safety, Environmental Protection,
Security and Insurance. Often there are is no coherent escalation
process from customer complaint or operational incident or
quality defect through to invocation of disaster recovery,
business continuity or crisis management procedures and to
the declaration of an emergency or a disaster. We are just
beginning to see the emergence of convergence of these piecemeal
elements into a coherent whole under a single umbrella, which
we call Total Asset Protection. Without a Total Asset Protection
Plan, the organisation is in peril. There is an 80% mortality
rate for organisations that are without contingency plans
and that experience a disaster.
An Information Technology Disaster Recovery
Plan alone is not a substitute for Total Asset Protection,
since the computers although fully functional, will be useless
if the production system they control has just disappeared
in flames. A Total Asset Protection Plan will therefore cover
all key facilities, such as office buildings, computers, communications,
production capability and warehouses.
But, according to a joint DTI/APR report, the
proportion of companies intangible assets (essentially
goodwill) to tangible assets have grown over the last 15 years
to represent, on average, 70% of their balance sheets during
mergers and acquisitions. A Total Asset Protection
Plan therefore needs to cover all other situations from which
an organisation can lose its goodwill, image and reputation.
43% of companies suffering a disaster never
re-open and a further 30% go the wall later as a result. Businesses
can be destroyed by the loss of a critical resource for more
than 10 days. Nearly three-quarters of businesses hit by serious
fire end up closing.
An example of a business disaster will illustrate
the point. Ronson, the lighters and pens group, has international
brand recognition. A fire destroyed their Newcastle warehouse.
Their insurance claim was £10 million. In May 1997, only 60%
was being settled. The company faced additional costs from
reorganisation following the blaze. The result of the fire
meant an over-all pre tax loss for the year of £1 million,
a dramatic fall in Ronsons share price and severe long-term
costs in re-establishing its business.
The second concept, Marketing protection, delivers
the justification for Total Asset Protection. To justify the
extent of funding for any of the elements of Total Asset Protection
(TAP) for any organisation, Business Impact Analysis is undertaken
to identify the impact on an enterprise, in cash and non-cash
terms, of a disaster. Typically it examines loss of market
share, loss of product, cost of restoration (including extra
cost of working), cost of fines or other penalties. In addition
it will weight "non-cash" losses like loss of image,
regulatory non-compliance or political impact. Using this
standard approach, it is frequently difficult to justify spend
on consultancy, services and products for business continuity,
crisis management or other activities within the Total Asset
Protection Programme. This is because:
- some of these costs may be covered by insurance
(although in practice insurance usually only covers some
40-60% of the real loss following a disaster)
- the cost of the project usually has to
be covered from the budget of an administrative department
which has been pared to the bone by downsizing and which
is seen as a target for further cost reduction.
The traditional Business Impact Analysis tends
to look at short-term costs and too frequently fails to quantify
longer term costs (e.g. lifetime value of customers; cost
to regain market share and image). The concept of Marketing
Protection takes the argument into a different dimension.
It looks at the whole value of the business at stake from
a marketing perspective and looks to the techniques of the
worlds of advertising and brand management to demonstrate
loss potential and justification for spend on BCP.
Seven out of the top ten brands in the UK in
the 1930s remain in the top ten brands in 1998. Brands and
companies have outlived nations. Smirnoff, the Grand Metropolitan
vodka brand, has survived the reigns of the Tsars, Marx, Lenin,
Stalin, Gorbachov, and Yeltsin. The USA beer Budweiser is
some 130 years old.
The brand has value outside of any single product:
Persil, originally a soap powder, was re-launched as a detergent,
followed by an automatic version, followed by a low temperature
product, followed by Persil liquid and by washing-up liquid.
Keith Holloway of Grand Metropolitan says "we
know from recent experience, particularly the Nestlé
episode, that the richest companies are prepared to buy other
companies for brands that they own for a multiple of 20 or
30 times their annual earnings (perhaps 40 to 50 times their
annual marketing costs). The episode Holloway refers to was
Nestlés purchase of Rowntree in 1988 for £2.55
billion. Tangibles on the balance sheet were worth only £409
million. Even if you added up 10 times Rowntrees profits
the total only comes to about half what Nestlé paid.
Since Nestlé was capable of manufacturing anything
that Rowntrees could, it meant that they paid £1.25 billion
for the brands and the strategic value that went with them.
Since 1988, there has been continued debate
about brand valuation and whether or not brand valuations
should appear on companies balance sheets. Reckitt and
Coleman and Grand Metropolitan have both put acquired brands
as assets on the balance sheet since 1988. Rank Hovis McDougal
declared, in the same year, that the development of Mr Kipling,
Hovis and Mothers Pride was worth £678 million.
It is no coincidence that, as soon as Grand
Metropolitan proposed the merger with Guinness on 22nd May
1997 - a merger which would put the new £24 billion operation
sixth among the worlds food and drink companies, just
behind Nestlé and Unilever - they announced the proposed
new name: GMG Brands (subsequently changed to Diageo). Grand
Mets price immediately rose 76.5p to 591.5p and Guinesss
climbed 86 to 602.5p - the first time they had been above
600p since 1992. GMG was expected to capitalise its brands,
which include from Johnnie Walker and Gordons Gin: the
brands stated value could rise from £5.7 billion to
£12 billion.
The table below shows the worlds
top ten brands and their value brand from a recent survey
by Interbrand in association with Citibank.
The Worlds Top Ten Brands
|
No
|
Brand
|
Country
|
Industry
|
Brand Value US$m
|
|
1
|
Coca Cola
|
US
|
Beverages
|
83,845
|
|
2
|
Microsoft
|
US
|
Software
|
56,654
|
|
3
|
IBM
|
US
|
Computers
|
43,781
|
|
4
|
General Electric
|
US
|
Diversified
|
39,602
|
|
5
|
Ford
|
US
|
Automobiles
|
33,197
|
|
6
|
Disney
|
US
|
Entertainment
|
32,275
|
|
7
|
Intel
|
US
|
Computers
|
30,021
|
|
8
|
McDonalds
|
US
|
Food
|
28,231
|
|
9
|
AT&T
|
US
|
Telecoms
|
24,161
|
|
10
|
Marlboro
|
US
|
Tobacco
|
21,046
|
So brands and the goodwill associated with a
company name have a real value - capable of being destroyed
by a disaster and resulting adverse publicity. That value
is created by many years of advertising and good experience
by the consumers of the product or service.
There are formulae for spend on advertising,
market share or sales volume and product profitability and
highly sophisticated ways of analysing the effect of advertising
after a campaign has finished. Fundamentally, the more that
is spent on effective advertising, the more volume that is
shipped and (assuming product pricing is correct) the more
profit that makes. The more profit that is made and the bigger
the turnover, the more the company is worth and the higher
the share price. It follows, therefore, that any disaster
which adversely affects the attractiveness of the brand or
of the good will associated with a companys name, regardless
of its impact on production capability, will impact
turnover, will impact profit and will impact the value of
the company and hence its share price.
Weight tests have been introduced to test the
impact of advertising. These are usually evaluated by comparing
the cost of more or less advertising with the estimated change
in sales volume times the marginal revenue per case. There
is new evidence that successful weight tests can show more
sales in the years after the test finished than during the
test - that is advertising impact has its own momentum after
advertising spend has stopped. In one case, sales volume was
up against its neighbours 28% in the second year after the
campaign and 8% in the third year. In a summary of 44 BehaviorScan
tests, it was found an average increase of 22% in year one
was followed by year two sales 14% above average and year
3 sales 7% up. And these effects may spin off onto other "sister"
brands.
So, what sort of money is invested in creating
brands? An examination of some of the best recent campaigns
will illustrate the large sums of money involved.
- Orange, as a newcomer in "wire-free"
telephony, invested £26.3 million directly in advertising
for its launch alone: it generated £300 million of sales.
- Daewoos launch in the UK cost £22
million in advertising and generated £190 million in revenue.
- Between 1989 and 1995, £17 million spent
on advertising increased the sales of Felix cat food by
£108 million.
- Reebok spent £2 million on advertising
in the UK alone in 1994-95 to generate a £2.2 million
- £2.8 million incremental gross profit.
- BT regularly spends over £6 million a month
on advertising. BTs "Its Good to Talk"
campaign cost £44 million between May 1994 and June 1995,
with a payback of six times that. It spent £23 million
on TV alone in 1995 on Bob Hoskins domestic consumer
advertising. One campaign, "Working Smart Not Just
Harder", achieved a 67% return on media spend.
- The Automobile Associations "4th
Emergency Service" campaign cost £16 million - something
over £5 million a year for a benefit of up to £50 million.
- Nescafé Gold Blend advertising runs
at £5 million a year and delivers £50 million a year sales.
- De Beers global diamond advertising campaign
was designed to maintain sales during recession. De Beers
spends around 0.4% of the value of world diamond jewellery
sales on marketing (4% of rough diamond sales). In 1995
alone, diamond jewellery sales world-wide increased by
5%.
- Luxury goods advertisers spend 1% to 15%
of revenue on marketing, while perfumiers spend up to
25%.
- Barclaycards advertising campaign
from 1991 - 1995 featuring Rowan Atkinson as a bungling
secret agent cost £40 million , stimulating 3% extra card
usage and increasing its share of new card users from
15% to 25%.
- Renault Clios "Papa, Nicole"
advertising campaign took Renault UK sales from an all-time
low in 1991 to almost double in 1995 and has sustained
the Clios success at a higher level and for longer
than could reasonably have been expected, as well as creating
a "halo" effect on other Renault models.
- Stella Artois invested £14.2 million in
advertising to deliver incremental net returns on that
investment over a decade of £70 million.
The "halo" effect of the reputation
of one brand can be passed onto another: Virgin, which started
as a record company, opened music megastores; moved into airline,
cola, insurance and pensions and banking. From March 1995
to October 1997, over £1 billion has been invested in Virgin
Directs savings and pension products. Sainsburys and
Tesco stores have both moved to banking. One of the most important
factors in this is that "As popular trust in institutions
declines and individuals feel they are faced with ever more
choices and even less time to make them, consumers are seeking
new partners to help them confront, share and manage the risks
they face in their everyday life. In this situation, brands
are ideally positioned to fill the vacuum." Researchers
discovered that, over the last three years, confidence in
Sainsbury grew from "a great deal" or "quite
a lot" score of 59% to 74%; in Marks & Spencers from
73% to 83%, in Tesco from 52% to 71% and Boots from 78% to
83%. Other scores include Kellogs (83%) and Heinz (81%). Brands
score higher than the police (62%), the judiciary (43%), a
local council (24%) and, oddly, a multinational (13%).
The corollary of this is that, in the event
of loss of image or reputation through a disaster, market
share losses from "negative advertising" could be
equally as dramatic and these sums of money would have to
be spent in addition to the normal ongoing advertising
which has to continue merely in order to preserve market
share. These days, volume is often the key to viability: lose
volume, and viability is lost. The loss of a brand could mean
the extinction of a company. Moreover, the "halo"
effect could work in reverse: like guilt by association. Using
the argument of Marketing Protection, the justification for
spend on BCP becomes immediately obvious and immensely strengthened.
When the Mercedes A Class small car proved unstable in 1997,
it cost some $900m and 2,000 cancelled orders to recover the
position.
Advertising agencies always consider the up-side
of the advertising message, rarely the down-side. If the company
fails to deliver against the expectations set by that advertising
message, the message will work just as powerfully against
the company. For instance, advertising for banks which stresses
warmth, compassion and humanity is largely counter-productive
because it does not match with customers experiences
and consequently they feel such advertising is an attempt
at cynical manipulation: this merely reinforces their antipathy
to the bank. "Let the train take the strain" back-fired
as thousands of passengers waited for an uncertain, unreliable,
dirty and crowded train service. Arguably Kinnock lost the
election against Major because the soft focus promotion was
simply not credible. All these are inadvertent examples of
advertising backfiring.
How much worse the situation could be in a disaster.
Commercial Unions slogan "We dont make a
drama out of a crisis" was re-played to brilliant effect
when their offices were devastated in April 1992 by the IRA
bomb at St Mary Axe in the City of London. Their Business
Continuity Plans worked - but what if they had not? What if
they had made a drama out of a crisis? A software company
has the slogan "The Integration Company". What if,
in a disaster, they failed to deliver - and the message became
"The Dis-Integration Company"? What if the Automobile
Association, "The 4th Emergency Service" could not
cope with its own emergency?
An example of such an impact can be seen from
the Perrier water benzene contamination incident in 1990.
In 1989, Perrier was the market leader in bottled mineral
water, its name synonymous with purity and quality. Perrier
water was on the tables of virtually every high class restaurant
around the world. sales peaked at 1.2 billion bottles a year.
The plant at Vergèzem, near Nîmes, was tooled
up for 1.5 billion, with capital investment and personnel
to match. After recalling 160 million contaminated bottles
and mis-handling the publicity, Nestlé took advantage
of the drop in share price, fought of Giovanni Agnellis
Fiat based group and in 1992 paid £1.6 billion to buy Perrier,
giving Nestlé 40% of the French mineral water market.
In 1991, Perrier production plunged to 761 million bottles
a year, heading downwards: the plant was uneconomic, making
heavy losses. Perrier was effectively dead in the USA and
in the UK; the French mineral water market, having grown by
10% a year up to 1990, stagnated for over three years. A lifetime
investment in promoting the images of purity and quality was
effectively written off: all had to be started from scratch.
Moreover, this sort of damage could be inflicted
by a third party: Rolls-Royce has a name synonymous with engineering
quality - an almost priceless reputation. However, this hundred-year
image was threatened in May 1997 when Airbus A330 - 300s powered
by Rolls-Royce Trent engines suffered from inadequate lubrication
of gearboxes allegedly by defective parts supplied by a French
sub-contractor. It cost one airline alone, Cathay Pacific,
between US $15.5 million and $19.4 million from withdrawn
flights.
When viewed against and advertising budget rather
than against the budget of a single administrative department,
the sums involved in Crisis Management Planning and BCP seem
almost trivial. Product recall plans are readily justifiable
to protect reputation and brands and are in place amongst
all major companies. Why should any of the elements of Total
Asset Protection be any different?
When considering advertising campaigns, how
many agencies consider the down-side of the advertising slogan?
How can the slogan be turned against the company by a ruthless
journalist? Should not that be part of a risk analysis of
the campaign? Before the disaster and during each advertising
campaign, should not some creative thought go into how that
campaign would be developed to mitigate the results of a disaster?
The Marketing Protection approach brings a new
dimension, a new urgency and a new justification for a coherent
programme of Total Asset Protection. Every Finance Director,
every Marketing Manager, every Advertising Agency should be
aware of the twin concepts of Marketing Protection and of
Total Asset Protection. Every Security manager, Risk Manager,
Disaster Recovery Planner, Business Continuity Planner and
Crisis Manager should be aware of these concept and apply
them to their own (or their clients) organisation.
©Andrew Hiles FBCI
|